How do you use this SPICY chord? | Q+A
A video on YouTube. In Music Lessons, a Krater category.
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The creator answers questions from social media about music theory and composition, discussing advanced chord substitutions, keys in electronic music, musical transitions, and jazz musicianship.
From the video
Answers: How do you use advanced chord extensions, resolve unusual jazz chords, and handle musical transitions?
- major seven sharp five chords
- chord inversions and bass notes
- sub-bass and key selection in electronic music
- tierce picarde resolution
- sharp thirteen and flat nine alterations
- harmonic rules and spelling
- musical transitions and contrast
- big band recording order
What it concludes
- A Cmaj7(#5) chord can be thought of as an E triad over a C bass note, creating an ethereal quality when played at the top of the piano.
- Keys of F, F sharp, G, and A flat work best for electronic music because their low roots hit hardest in PA sub-systems.
- Sharp 13 alterations in minor seventh chords are redundant because the note is already present in the base minor seventh chord.
- Flat nine notes do not sound good on minor seventh chords and require removing the flat nine to resolve the chord properly.
- For online big band projects, you should always start recording with drums to provide a solid rhythmic foundation.
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