Music Theory and White Supremacy
A video on YouTube. In Music Lessons, a Krater category.
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An exploration of how western music theory is often conflated with universal musical truths and the cultural biases underpinning its historical development.
From the video
Answers: Is music theory inherently racist and Eurocentric?
- music theory and cultural bias
- white racial frame in music education
- comparison of Western and non-Western music systems
- Heinrich Schenker and racial ideology in music
- figure bass and its historical relevance
What it concludes
- Traditional Western music theory is historically rooted in 18th-century European styles and privileges white composers.
- Figured bass and other standard pedagogical tools in Western music theory are obsolete and ineffective for analyzing non-Western or non-tonal music.
- Music theorists like Heinrich Schenker integrated explicit white supremacist and racist worldviews into their analytical frameworks.
- The institutionalization of Western music theory in academia reinforces systemic racism by dismissing the validity of non-Western musical traditions.
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