What Amateurs Don't Understand About Guitar Tone
A video on YouTube. In Music Lessons, a Krater category.
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Guitarist Tim Pierce tests out a selection of guitar amplifiers and microphones in a studio setting, comparing models from Marshall, Orange, Park, and Sovtek, alongside Sennheiser and Shure microphones.
From the video
Answers: How do different vintage guitar amplifiers and microphones sound when tested in a studio?
- guitar amplifier shootout
- microphone comparison for guitar cabs
- studio guitar tone testing
- Marshall JMP 1971
- Orange Overdrive Series Two
- Park P45/100
- Sovtek MIG 100H
- Fender Deluxe Reverb
- Sennheiser MD 421 microphone variations
- Shure SM57 microphone
What it concludes
- The 1971 Marshall JMP amp paired with the Shure SM 57 and Sennheiser MD 421 standard microphones delivers a classic, clean high-end tone suitable for recording.
- The Sennheiser MD 421 Kompakt microphone adds more high-end presence, whereas the standard MD 421 provides a darker, warmer tone.
- The Orange Overdrive Series Two amp offers a crunchy, aggressive tone with distinct bite and teeth.
- The Park P45/100 amp provides a great tone and response particularly suited for single-note playing.
- The Sovtek MIG 100H amp delivers a raw, aggressive, uncultured Marshall-style sound that makes the player less polished.
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